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Born on September 25, 1945 in Newark, New Jersey as Delia Mae Warrick, she got her start as a gospel singer. As a teenager in the 1950’s she sang with h
er older sister as The Gospelaires and later with the Drinkard Singers, a long-running gospel group managed by their mother. Before embarking on a solo career in the mid 1960's, Dee Dee sang back up for the likes of Aretha Franklin and Wilson Pickett. Eventually she signed a deal with the Mercury label where she enjoyed considerable R&B success with such hits as “I Want to be With You” and “Foolish Fool.” "I'm Gonna Make You Love Me," initially released by Warwick in 1966, was co-written by Kenneth Gamble and Leon Huff and was later covered by Diana Ross & the Supremes and The Temptations.
Dee Dee Warwick was also twice nominated for a Grammy in the early 1970’s for "Foolish Fool" and "She Didn't Know" for the ATCO label. Earlier this year she was featured in the title track from her sister’s gospel album Why We Sing and toured with Dionne on her My Music and Me show throughout Europe. Below are a couple of Dee Dee's best cuts, "We're Doing Fine" and "Worth Every Tear I Cry."

In 1954, the Diablos went into Fortune Records to cut some demos. The owners of Fortune, Jack & Devora Brown, who founded the label in 1947, immediately signed them. Their first single, "Adios My Desert Love" (Fortune 509, 1954), was written by Devora Brown. However, their second single and masterpiece, "The Wind" (Fortune 511, 1954), was written by the group. This ballad has a curiously ghostly quality and takes full advantage of the groups strongest points; a simple guitar line plays with a light vibrato, filling in behind the perfectly sculpted background harmonies singing "blow wind," as Strong's incredibly delicate, smooth as silk lead carries over the top. The atmosphere takes on a rather strange quality during the bridge when, backed by a quirky plate-reverb effect, Strong quietly recites his lines about his missing lover. All and all, and truthfully, this cut is slightly bizarre but so evocatively captivating. And, of course, it went nowhere, until some eight years later when "The Wind" was re-released in 1962-- this time it found a national audience, hitting the lower rungs of the Billboard Charts. “The Wind" is now regarded as a doo wop classic and is much sought after by collectors. The Diablos would continue to record for Fortune Records until the mid sixties, though with various lineups, perhaps the reason the last few releases were credited to only Nolan Strong. 